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Georgie Dowling

Raised near the coast in rural West Wales, Georgie's work is influenced by early memories of rugged coastlines, secluded beaches and rolling hills. Now based in Gloucestershire she is surrounded by endless footpaths to explore with her paints. ‘En plein air’ painting plays a vital role in her practice, often taking her to the coastlines of Wales and Cornwall. The rugged and irregular coastlines offer a captivating contrast to the farmland of her local landscape.

“My work is not only about celebrating the beauty in our landscape but also about the act of making the time to experience it. I often paint ‘en plein air’, whilst out in the landscape with my paints I feel more connected to our natural world than ever. The continuous momentum of nature and everchanging light on the land and sea is an endless source of inspiration. I find myself feeling continuously inspired and moved by the life of our landscape, painting in the landscape has completely changed how I see the world around me.”

This body of work stems from her admiration of the Welsh coast, ranging from areas where she spent her childhood, near Cardigan Bay, to somewhere only recently experienced, Llyn Peninsula.

The Sun Came Out at Porthor, Oil on Linen Board, 49x39cm £325

Porthor Rocks, Oil on Linen Board, 49x39cm, £325

Porth Ceiriad, Oil on Linen Board, 49x39cm £325

Wild day, Porth Ceiriad, Oil on Canvas, 69x69cm SOLD

Teifi Estuary, Oil on Linen Board, 49x39cm £325

February, Port eynon, Oil on Linen Board, 33x27cm SOLD

Discovering porthor, Oil on Linen Board, 33x27cm £200

Bright morning, Porthor, Oil on Linen Board, 33x27cm SOLD

Quiet day, Gwbert, Oil on Canvas, 69x69cm £715

Spring day, Aberporth, Oil on Canvas. 69x69cm £715

Sheep II, Oil on Linen Board, 38x38cm SOLD

Sheep V, Oil on Linen, 60x60cm (unframed)

Russ Chester

After the success of his first solo exhibitions in 2022, Russ was determined to find a ‘reason’ for painting, rather than just painting because he could.

Russ had never been able to exactly pinpoint ‘Welshness’; and apart from the language and the Eisteddfod, his questions about this - or the area where we live - had created confusion; or answers have been ambiguous or drawn a blank. After learning to stop asking stupid questions and listen to people, he started exploring social media and how people approached various subjects.

Russ’ current project ‘Chwilio am Gymru’ (Looking for Wales) explores culture, heritage, environment, conservation and the working landscape seen through the eyes of his community. ‘Looking for Wales’ is the result of some quite intense work and research, and features subject matter that some may find curious, unexpected or quite baffling. His interest continues into how people perceive and interpret ‘detail’; and he is constantly playing with various textures, techniques and colours to exploit these preconceptions.

Russ is an internationally selling artist and has his work in private collections around the world. He has received commissions from Canada, France, New Zealand, Norway and the USA, and exhibits his work in London, Cardiff and the North Wales Galleries.

Rhaeadr Pontarfynach (Devils Bridge), 13” x 16” £445

Ysgubor/Barn ‘Cae-yr-eithin-tew’, 12” x 20” £680

Porth Drecastell, Ynys Mon/Anglesey, 09” x 16” £455

Ras aredig (ploughing contest) - Rhyd-y-Clafdy, 14” x 17” £885

Cyn Cneifio (Before shearing), Pen Llŷn, 18” x 30” £3,325

Gweirglodd/Meadow Llansteffan, 16” x 17” £755

Ann Lewis RCA

Born in St. Asaph, Denbighshire, Ann studied at the Art College in Bangor and then at Exeter College of Art and Design where she graduated in Graphic Design. In 1988, Ann returned to Wales, initially working as a freelance designer and illustrator.

A gradual evolution from designer to fine artist began in 1993 when Ann was elected a member of the Royal Cambrian Academy. In December 2020, Ann was elected President of the Royal Cambrian Academy – the Academy's first female President in its 140 year history.

Since March 2009, Ann has worked full time as a printmaker specialising in the reduction method of linocutting, producing limited editions of hand-printed linocuts in her studio in the Conwy Valley in North Wales.

Ann’s work is inspired largely by the Welsh landscape, its mountains, rivers, waterfalls and coastline.

Ann has work in the National Library of Wales’ collection, the Government‘s Art Collection and The Grosvenor Museum, Chester’s Print Collection

O'r tywyllwch, Dyffryn Conwy Reduction linocut, 6/18 875 x 570 £325

Haul hwyr ar draeth Porthselau Reduction linocut, 8/15 640 x 43 £275

Rooftops and chimneypots, Menai Bridge Reduction linocut, 1/10 82.5 x 68cm SOLD x 3 editions

Before the leaves begin to fall, Afon Dulyn Reduction linocut, 4/20 60.5 x 68cm £325

Ni all y graig fyw heb y don, Horton, Penrhyn Gwyr Reduction linocut, 4/20 70 x 55.2cm £325

Goleudy, Ynys Llanddwyn Reduction linocut, 6/16 65.6 x 47.8cm SOLD

Old red rock at the water's edge, Freshwater East, Reduction linocut, 18/20 72 x 68.5cm £395

Cysgodion hir ar lethrau'r Cnicht, Reduction linocut, A/P 51 x 55.7cm £300

Late September, Tenby Harbour Reduction linocut, A/P 71.5 x 59cm £400

Ty John Piper, Nant Ffrancon, Reduction linocut, 4/10 70.5 x 63.5cm £495

Syrthio, syrthio, Reduction linocut, 6/15 34.5 x 50cm £260

Return to Presipe, Reduction Linocut, 1/20 74.3 x 63.5 £375

New Day, Presipe, Reduction linocut, 19/21 64 x 55.2 £375

Yng ngysgod y Garn, Reduction linocut, 17/18 42.5 x 52.5cm £280

They Said it Might Snow, Reduction linocut, 2/15 54 x 67.5cm £295

Silence of a winter's day, Afon Dulyn Reduction linocut, 9/12 49.5 x 64cm SOLD

Diwrnod o Hydref, Rhaeadr Arthog Reduction linocut, 22/22 48.5 x 63.4cm £295

Dail, mwsogl a rhaeadr fach gudd Reduction linocut, 31/35 44 x 54cm £250

Aimee Jones

Aimee’s ongoing inspiration as an artist comes from her natural surroundings; exploring many places that create a sense of escape and cut out the white noise of everyday life. The context of Aimee’s work represents specific elements of wildlife within the local Welsh landscapes, which are then re-experienced through the act of drawing. The corvids are an ongoing subject; deeply beautiful and mischievous with an intriguing presence. Their energies have informed the expressive mark making within Aimee’s entire art practice to the extent that whatever the subject may be, there is always a 'crow like' feeling.

Jackdaws Get Together, Drypoint engraving, 62cm x36cm £265

Puffins, Charcoal SOLD

Crows amongst the
Branches II, Charcoal, 82cm x 60cm, £765 — Crows amongst the Branches II, Charcoal, 82cm x 60cm, £765

Flight between the Branches, Lino cut, 63cm x 52.5 £345

Ty’n Llyn charcoal study, Charcoal,
97cm x 63cm £1045 — Ty’n Llyn charcoal study, Charcoal, 97cm x 63cm £1045

Ty’n Llyn, Llyn Alwen, Etching, 38cm x 33cm £245

Ty’n Llyn, Llyn Alwen II, Etching, 64.5cm x 49.5cm SOLD

Crows amongst the
Branches, Charcoal, 92cm x
66.5cm SOLD — Crows amongst the Branches, Charcoal, 92cm x 66.5cm SOLD

Hare, Etching and charcoal, 35.5cm x 30.5cm SOLD

Jenny Ryrie

Jenny Ryrie specialises in watercolour. She has an M.A. in Fine Art from Edinburgh, is a member of the Royal Birmingham Society of Artists and is an Associate Member of the Penwith Society of Arts in Cornwall. She has exhibited nationally and internationally for many years and is based on the Welsh border near Chester.

Jenny first exhibited with the Thackeray Gallery in London and Kingfisher Gallery in Edinburgh, and for several years had a series of solo shows with Canyon Road Contemporary Art in New Mexico, U.S.A. Recent solo exhibitions include ‘Watershed’ (2018) with the Belgrave Gallery in St.Ives, Cornwall, and ‘Light and Water’ (2019) and ‘The Flowing Line’ (2023) at Plas Glyn-y-Weddw.

Her focus on watercolour follows a long tradition in her family going back five generations of the Evans family, who originated in Flintshire in the late 18th century and all specialised in the watercolour medium, including the Victorian watercolourist known as ‘William Evans of Eton’. Her aim is to push the boundaries of the medium and explore its potential for expression through its unique qualities of translucency and fluidity.

Her work varies from semi-abstract to abstract paintings relating mainly to landscape and nature but also exploring music, emotion and sound.

Silver and Rose, watercolour, 33x38cm £350

Edge of the World, watercolour, 52x62cm £450

Sea Jewels and Weeds, watercolour 52x62cm £450

Wheel of the Buzzard, watercolour 32x39cm SOLD

Dreaming of Kingfishers, watercolour/mixedmedia, 70cmx117cm £1,850

Light Breaking Through, watercolour 40x48cm, £400

Winter Landscape, watercolour, 60x96cm £950

Song of the Waterfall, watercolour, 90x84cm £1,250

Sea Mosaic, watercolour/mixedmedia 82x100cm £1,450

Floating Forms 3, watercolour, 79x94cm £1,450

When Sea Meets Sky, watercolour, 79x97cm, £1,450

Coastal Mosaic, watercolour, 85x105cm £1,450

Storm Light, watercolour/mixedmedia 73x95cm £1,450

Heather Trails, watercolour, 78x 98cm SOLD

Green Cascade, watercolour, 127x100cm SOLD

Heather in the Mist, watercolour 71x111cm £1,650

Josh Johnson

Josh has been potting for over 40 years.

The majority of his work has been thrown, domestic ware & garden ornaments. In the last year he has been experimenting with sculptural items, generally based on a thrown vessel. A vase/bottle shape is altered into a marine creature using hand building techniques.

In this work, Josh is not aiming to create a perfect fish, but rather to develop an imaginary character whilst retaining the obvious thrown form. The artist gives them personality & sometimes a comedic element such as plumped up lips and goofy teeth.

The sharks are made from a thrown vase form. The features are purposely exaggerated to make people smile.

Josh makes all of his own stoneware glazes & currently works with approximately 30 colours. He has learned from painful experience which glazes work best layered on top of each other.

The Bases are all hand built. Initially made from a press mould to give a central strength & structure with additional hand sculpted pebbles and corals to give each base individuality.